Portraiture

I have practiced portraiture throughout the years, making it an ongoing goal to continuously improve my observation skills.
My first attempt was a study for the Girl in the Classroom. Inspired by the work of Chuck Close, I attempted both a realistic and vibrant approach. Using oil paint, I rendered the girl's skin with a smooth finish while still trying to capture her expression of curiosity and wonder.


Continuing my study of human expressions, I was inspired to try a different approach by a series of photographs of Roald Dahl. Stylistically inspired by Lucian Freud’s deep contrasting tones, I used acrylic, creating a work that was perhaps less refined but more dynamic than my previous one.

I then tried to emulate the abstract works of Andrew Salgado, before harnessing his style in my own self-portrait. Using square brush strokes and oil paint to create depth and texture, I moved towards abstraction, with an order of sorts formed from seemingly chaotic strokes.

A self-portrait can be seen as the oldest form of a selfie. I added a touch of irony by portraying myself taking one.

At A-level, I developed my technique through sections of the human face.

Ginny studies: eye and mouth

Sarah is the subject of my latest series in portraits, which I developed from detail of her face in order to achieve a more abstract portraiture style.

Sarah's studies and portrait



Sarah II (inspired by Jimmy Law and Danny O’Connor)
